{"id":595,"date":"2021-12-27T21:07:00","date_gmt":"2021-12-27T21:07:00","guid":{"rendered":"https:\/\/www.dorothydunnett.co.uk\/blog\/?p=595"},"modified":"2025-12-17T21:20:27","modified_gmt":"2025-12-17T21:20:27","slug":"dunnett-musical-whimsy","status":"publish","type":"post","link":"https:\/\/www.dorothydunnett.co.uk\/blog\/lymond-chronicles\/dunnett-musical-whimsy.php","title":{"rendered":"Dunnett Musical Whimsy"},"content":{"rendered":"\n<p>A little festive musical whimsy for you all.<\/p>\n\n\n\n<p>A couple of days ago I received my copy of the Dorothy Dunnett Society\u2019s <em>Whispering Gallery<\/em> Magazine \u2013 yet another superb edition under Suzanne McNeil\u2019s editorship.<\/p>\n\n\n\n<p>Very worthy of mention is an excellent article in it entitled <em>Bektashi Ritual, Marthe and Lymond<\/em> by Elizabeth Orr, which fills in some vital background information about Bektashi philosophy and spiritualism and connects to both the burning bed scene when Sybilla brings Lymond back from edge of death, and the later scene between Lymond and Marth where he is forced to reject her appeal for further contact. As any of you who have read my talk on Marthe, and the subsequent discussion here, will know, there is much disagreement about what she is actually requesting of him. I\u2019m now more than ever convinced that it was his mentorship and tuition she hoped for rather than any intimate or sexual relationship.<\/p>\n\n\n\n<p>I was thinking about that and pondering how I could frame a new article updating that talk with this new layer of information \u2013 without it feeling like I was simply lifting Elizabeth\u2019s work wholesale. My thoughts inevitably drifted through scenes from Checkmate. Then I came across the Correspondance section of WG where the theme this time was music and how readers associated different pieces with passages from the books. These two facets started to intertwine.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Musical associations<\/h2>\n\n\n\n<p>Now music has been a large part of my life \u2013 as some of you may know I was a sound engineer for some years working with bands of various genres and with theatre. But curiously I seldom hear music in my head as I read \u2013 unless there is music in the scene and even then it\u2019s quite difficult because with Lymond particularly his playing is described in a modern manner with skills that were beyond the capabilities of the instruments or the musical theory of the time, so I find I\u2019m torn between the likely reality and the described virtuosity. Nor do I usually listen to music while reading \u2013 not Dunnett anyway. I become so engrossed in her words that the music drops into the background and I suddenly find the track selection or the CD is over with no real recollection of hearing it.<\/p>\n\n\n\n<p>For that reason I wouldn\u2019t associate any of my favourites in the classical repertoire with Dorothy\u2019s work \u2013 Beethoven, Neilsen, Rachmaninov, Mendelssohn, they all deserve to be listened to with complete concentration. But I have wide musical tastes \u2013 the only genre I really can\u2019t get on with is \u201cgood \u2018ol country music\u201d; so naturally the fates sent me a girlfriend who plays it all the time!<\/p>\n\n\n\n<p>So, I was musing on this and wondering if anything more modern from rock or folk or soul or blues could be connected in a way that made sense to me. Mentally running through some of the bands, singers, and songs that I\u2019ve enjoyed over the years it struck me \u2013 just as the existence of certain names like Scott had inspired my little Star Trek crossover fanfic \u2013 and the name Crawford appeared in my head.<\/p>\n\n\n\n<p>But not Francis. Randy Crawford, she of the magnificent voice, sometimes soul sometimes jazz, and the perfectly phrased melodies that stick in your head for days every time you hear them. The lyrics of one song in particular, having been thus triggered, clamoured for attention in my mind, soaring on her wonderful vocals. I looked them up to make sure I had them right:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>When somebody reaches for your heart<br>Open up and let them through<br>\u2018Cause everybody<br>Needs someone around<br>Things can tumble down on you<\/p>\n\n\n\n<p>You discover when you look around<br>You don\u2019t have to be alone<br>Just one lover Is all you need to know<br>When you\u2019re feeling all alone<\/p>\n<\/blockquote>\n\n\n\n<p>What else could be more appropriate advice for Lymond? The man who lives the lonely, solitary life of a leader, scared of what happens to anyone who gets close to him.<\/p>\n\n\n\n<p>and then the last verse:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>If there is fire stirring in your heart<br>And you\u2019re sure it\u2019s strong and right<br>Keep it burning through the cold and dark<br>It can warm a lonely night<\/p>\n<\/blockquote>\n\n\n\n<p>Surely that too has a match:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><em>In rebellion he made his preparations; and in rebellion composed himself, as the Shamans do, to reduce the shivering husk of the body to one spark of life, conserving what it has; feeling cold and hunger and thirst no more than a plant does, laid in its sap on an icefield.<\/em><\/p>\n\n\n\n<p><em>\u2026 Philippa.<\/em><\/p>\n<\/blockquote>\n\n\n\n<p>I now doubt if I\u2019ll ever be able to read that passage, as I do often, without Randy\u2019s glorious accompaniment. And I\u2019ve no regrets about that \u2026.. it\u2019s just that my eyes may leak a little more often than usual.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Musical imaginations<\/h2>\n\n\n\n<p>Of course my by-now somewhat fevered imagination didn\u2019t finish there (though it probably should have!).<\/p>\n\n\n\n<p>We\u2019d need a band to back our Crawford family\u2019s newly rediscovered vocalist. Surely Steve Lukather\u2019s guitar solo would be handled by the master lutenist\u2019s fingers of Francis himself. Philippa can handle the keyboards \u2013 with furious aplomb. We can find a place on congas for Archie. And then there\u2019s the backing singers \u2013 I give you those masters of rhythm and soul \u2013 Blacklock, Hislop, and Blyth.<\/p>\n\n\n\n<p>And if that\u2019s not a vision to haunt you through the New Year I don\u2019t know what is. \ud83d\ude09<\/p>\n\n\n\n<p>If you don\u2019t know this song yet then here\u2019s a link to a live performance on Youtube<br><a href=\"https:\/\/web.archive.org\/web\/20240625141733\/https:\/\/www.youtube.com\/watch?v=1cu4zVBdOnE\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.youtube.com\/watch?v=<\/a><a href=\"https:\/\/www.youtube.com\/watch?v=1cu4zVBdOnE\" target=\"_blank\" rel=\"noreferrer noopener\">1<\/a><a href=\"https:\/\/web.archive.org\/web\/20240625141733\/https:\/\/www.youtube.com\/watch?v=1cu4zVBdOnE\" target=\"_blank\" rel=\"noreferrer noopener\">cu4zVBdOnE<\/a><br>The video quality isn\u2019t the best but the sound is fine and the verve of the live performance more than makes up for it.<br>There are also plenty of other Randy Crawford tracks and videos. <em>One Day I\u2019ll Fly Away<\/em> is another favourite.<\/p>\n\n\n\n<p>Hope this raised a smile in another difficult festive season surrounded by Covid.<\/p>\n\n\n\n<p>A Good New Year to you all, and stay safe.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A little festive musical whimsy for you all. A couple of days ago I received my copy of the Dorothy Dunnett Society\u2019s Whispering &hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[11],"tags":[],"class_list":["post-595","post","type-post","status-publish","format-standard","hentry","category-lymond-chronicles"],"_links":{"self":[{"href":"https:\/\/www.dorothydunnett.co.uk\/blog\/wp-json\/wp\/v2\/posts\/595","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dorothydunnett.co.uk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.dorothydunnett.co.uk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.dorothydunnett.co.uk\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dorothydunnett.co.uk\/blog\/wp-json\/wp\/v2\/comments?post=595"}],"version-history":[{"count":1,"href":"https:\/\/www.dorothydunnett.co.uk\/blog\/wp-json\/wp\/v2\/posts\/595\/revisions"}],"predecessor-version":[{"id":597,"href":"https:\/\/www.dorothydunnett.co.uk\/blog\/wp-json\/wp\/v2\/posts\/595\/revisions\/597"}],"wp:attachment":[{"href":"https:\/\/www.dorothydunnett.co.uk\/blog\/wp-json\/wp\/v2\/media?parent=595"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.dorothydunnett.co.uk\/blog\/wp-json\/wp\/v2\/categories?post=595"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.dorothydunnett.co.uk\/blog\/wp-json\/wp\/v2\/tags?post=595"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}